(Video and Text link)
http://nobelprize.org/nobel_prizes/literature/laureates/2005/pinter-lecture.html
Art, Truth & Politics
In 1958 I wrote the following:
'There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.'
I believe that these assertions still make sense and do still apply to the exploration of reality through art. So as a writer I stand by them but as a citizen I cannot. As a citizen I must ask: What is true? What is false?
Truth in drama is forever elusive. You never quite find it but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task. More often than not you stumble upon the truth in the dark, colliding with it or just glimpsing an image or a shape which seems to correspond to the truth, often without realising that you have done so. But the real truth is that there never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
I have often been asked how my plays come about. I cannot say. Nor can I ever sum up my plays, except to say that this is what happened. That is what they said. That is what they did.
Most of the plays are engendered by a line, a word or an image. The given word is often shortly followed by the image. I shall give two examples of two lines which came right out of the blue into my head, followed by an image, followed by me.
The plays are The Homecoming and Old Times. The first line of The Homecoming is 'What have you done with the scissors?' The first line of Old Times is 'Dark.'
In each case I had no further information.
Much more:
http://nobelprize.org/nobel_prizes/literature/laureates/2005/pinter-lecture-e.html
[Proofreader's note: this article was edited for spelling and typos on April 10, 2007]
Note: http://nobelprize.org/n...
http://nobelprize.org/n...

begin to wake up to truth, we see something out the corner of our eye,
something we need and must have, so we go to that comfortable place of
things, the shopping mall. You will find yourself protected from truth in the
walls they have created to keep us at play.
This speech is so incredible. Nothing is held back and although it may be
uncomfortable to read, perhaps even considered lengthy, it is far more
important to know this truth, than any trinket could be. This should be taught
in schools, in boardrooms, in churches, in coffee shops and anywhere
humanity gathers. There is an uncomfortable sticky trail of blood all over the
world and we are stepping in it daily. Although he speaks to the major
culprits behind the scenes, he addresses the apathy and tolerance for it as
well. Canadians would do well to learn from this and untie our little row boat
from their ship.
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"aaaah and the whisper of thousands of tiny voices became a mighty deafening roar and they called it 'freedom'!"' Canadians Acting Humanely at home & everywhere
This is a great clip, I hope more take the time and watch it.
Thanks
Wayne Coady
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Good government is not a party government
Hopefully one day we will build community centres instead of more shopping centres.
Too bad this will never be on television.
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The two most common things in the universe are apparently Hydrogen and stupidity.