But last week the New York Theatre Workshop cancelled the production - or, in their words, "postponed it indefinitely". The political climate, we were told, had changed dramatically since the play was booked. As James Nicola, the theatre's artistic director, said yesterday: "In our pre-production planning and our talking around and listening in our communities in New York, what we heard was that after Ariel Sharon's illness and the election of Hamas in the recent Palestinian elections, we had a very edgy situation." Rachel was to be censored for political reasons.
It makes you wonder. If a young, middle-class, scrupulously fair-minded, and dead, American woman, whose superb writing about her job as a mental health worker, ex-boyfriends, troublesome parents, struggle to find out who she wanted to be, and how she found that by travelling to Gaza and discovering the shocking conditions under which the Palestinians live - if a voice like this cannot be heard on a New York stage, what hope is there for anyone else? The non-American, the non-white, the non-dead, the oppressed?
http://arts.guardian.co.uk/comment/story/0,,1720592,00.html
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